Fernando Operé
INTRODUCCIÓNJeffrey T. Bersett
AMOR CADUCO: LOVE, AGING, AND WOMEN WRITERS IN THE SPANISH ENLIGHTENMENT
Elizabeth Franklin Lewis
University of Mary Washington
CODIFYING THE INEFFABLE: NATURE, HYPOCRISY, AND THE RHETORIC OF THE FÁBULAS FUTROSÓFICASMatthieu Raillard
Lewis and Clark College
EL DISCURSO LÍQUIDO EN DON JUAN TENORIOIrene Gómez-Castellano
University of North Carolina at Chapel Hill
PECADO, REPRESENTACION DEL PROLETARIADO EN LA DESHEREDADA DE GALDÓS, ENTRE EL DETERMINISMO Y LA SUPERACIÓNJosé V. Saval
University of Edinburgh
POLITICS, AND THE POLITICS OF GENDER (NOT IN THAT ORDER): EDUARDO GÓMEZ GEREDA AND ANTONIO SOLER’S IMPOSIBLE L’HAIS DEJADOJeffrey T. Bersett
Westminster College
LIES, IMAGINATION, MEMORY, AND SELF-NARRATION IN ROSA MONTERO’S LA LOCA DE LA CASAIana Konstantinova
Southern Virginia University
IMPLAUSIBLE DENIABILITY: HISTORY, FICTION AND THE ENIGMA OF TRUTH IN CERCAS’S EL IMPOSTORAlvin F. Sherman, Jr.
Brigham Young University
CAMBIO DE TIEMPO/CAMBIO DE MEMORIA HISTÓRICA: EL MINISTERIO DEL TIEMPO’S SEASON TWO FINALE AND FELIPE II’S HISTORICAL LEGACYChristine Blackshaw
Mount Saint Mary’s University
Saribel Morales-Rivera
University of California, San Diego